I like the theory, but he’s just using a major chord as the most complex example. Let’s throw in some sevenths based on his formulas:
-major seventh
-minor seventh
-dominant seventh
-minor major seventh
If you ask me, the dominant 7th wins the beauty competition. Sonically, the minor-major is one of my favorite chords though. :) Which waveform do you like best?
Here are some handy references, of you need them:
Seventh chords
Just intonation
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